
10.27.2008
How do sharks smell? Terrible!

10.26.2008
DocTurtle Reads Romance, Part III
Chapter 6: In Which the Plot Moves Forward Like Napoleon Into a Winter-Wet Russia
The first eye-catcher in this chapter was a comment about one of the O’Sullivan boys’ bar’s regulars: “He [an engineer for the MTA] talked like a professor, carried his tall frame like a professor and had two ex-wives, who wish he’d been paid like a professor.” So do I! Oh, wait...hmm. Fact is, university faculty don’t get paid nearly as much as the general public thinks they do. Don’t get me wrong, we do pretty well, and I ain’t complaining, but not many faculty get into it for the money.
Onward!
This chapter is distinguished primarily by the Mother of All Plot Twists, in which Daniel’s brother Gabe, undertaking renovations on one of the brothers’ bar’s walls, finds a mid-century engagement ring buried inside the wall. The ring falls into Daniel’s hands (the question he’s to answer: “whose finger does it fit?”), offering him the perfect excuse to track down a jewelry expert of the sort as might be retained by a major auction house.
Of course, this excuse proves unnecessary, as he’s soon tapped to head the team of outsiders tasked with performing an independent audit of Montefiore’s. Poor Catherine doesn’t even have a chance to Google Daniel (although she thinks about it on page 73) before he shows up in her building’s elevator.
Move along, folks, nothing to snark here...
Chapter 7: Our Hero Undumbasses Himself and Places the Ball Squarely in Her Court...No, Not That Again, Not Yet Anyway...Get Your Mind Out of the Gutter, You!
“Catherine.”
“Don’t talk to me.”
“You need to listen...Please.”
“No, I don’t think there’s anything to say.”
“I should have told you.”
“Yes. You should. I never would have...would have...if you had.”
“That’s not what I’m trying to say.”
“I don’t want to listen. I’ve never done anything like that in my life, and now I’m going to have eto live with it.”
“Catherine. I’m widowed.”
There it is, folks! It’s out! And it’s only page 77! That leaves...[thumbs through book]...[what, this thing has an Epilogue?!]...137 pages to go! Man, what are we going to do for conflict now?
Fortunately for us (but not so for them) this bodacious beau has been hired on to investigate her grandpa, making it unlikely the pair will be able to engage in much carefree nookie. Not to mention the fact that Daniel’s dead wife keeps getting in the way of their clumsy semi-romantic advances.
You should rest assured that by now Maggie’s informed me of the romance novel’s convention of misunderstanding and miscommunication that leads to protagonist conflict. Nevertheless, being a pretty straight shooter myself, I find the game-playing these two are going through to be pretty silly. For sure, I understand that human emotions are fragile, subtle, chimerical creatures, and that very often human interaction is not all that it seems to be. And for sure I understand that love is the most tortuous and tempestuous of all human emotions, and that sometimes it takes a skilled navigator to map a course through its throes. (At this very moment I’m helping a young friend try to figure out just what in the hell this one guy she’s got her eye on is thinking.)
But come on! Sheesh...
I’m sure the SBTB readers will be happy to hear that by the time
Chapter 8: Rolls Around
I’m actually cheering for these two numbskulls (huzzah, Ms. O’Reilly!), which is why their continued attempts to sabotage their own happiness are so damned frustrating.
By now we can add to the list of things we know about Daniel (erenow he was a cut [bodily, not phallically], dark, brooding, mysterious accountant-cum-widower): he’s now revealed to be a nice Catholic boy who loves his mother-in-law, even though he and her daughter were only married for a few months.
Moreover, on page 91 we find I wasn’t far from the mark when I surmised that Catherine’s a dynamite cook, too.
This chapter’s action carries the two to a date at a nice trattoria. A relationship malfunction at an adjacent table allows us to learn a bit more about our heroes’ altruistic characters, and then they skulk off into the lobby of an office building and boink publicly to Barry Manilow. Well, pseudoboink. Or quasiboink. Or whatever. They never make it to the finish line.
“You want an affair? No emotional commitment, no sharing, no ties?” Catherine asks on page 99 after coitus interruptus.
“That’s all I can do.” Oy! Like I said, I’m actually cheering for these two, but my neck is sore from watching the ball bounce back and forth.
Chapter 9: But This Can’t Be Tennis...
...for our hero is allowed a bump, set, and spike of dumbassitude. After his insistence at the last chapter’s close that all he has to offer is sex sex sex, he now asks for Catherine’s help in tracking down the immured engagement ring’s true owner. You can’t have it both ways, partner.
By me, nothing else of considerable interest goes on in this chapter: the couple schlep the ring down to the jeweler who’s most likely to have made it, and just outside this Park Avenue proprietor’s they help a young girl find her way back to her father. (Aha! Mark your scorecards, ladies and gentlemen: Daniel would make an excellent father.)
In the “Oh, And” column we can place a few suspicious e-mails between Charles “Grandpa” Montefiore and the head of one of the rival auction houses: is Gramps in collusion after all? Oh noes!
The chapter’s highlight? Catherine’s mother Andrea’s use of the word “puddleglum.” I’ll take “puddleglum” over “man-man” any day.
Chapter 10: Awkward Moments and Feverish Masturbation
Hey, everybody! It’s the long-awaited Italian Renaissance art reception and auction!
Hilarity ensues when Catherine and Daniel feign unfamiliarity while being introduced to one another by Charles “Grandpa” Montefiore. Well, maybe not hilarity...mild unease, at least.
It’s nothing compared to the torture Daniel goes through in spending the night at Catherine’s side, unable to keep his eyes off of her “silk-covered ass” (“the curves made for a man’s hands”), her “lush bountiful breasts,” and her “nipples perked against her dress.”
After all, “seven years of celibacy took a hard, hard, nail-chewingly hard toll on a man.”
At the day’s end, the couple find themselves lonely and alone in their respective domiciles, Catherine fingering herself beneath her covers and Daniel whacking off in the shower, coming with a “long and anguished roar.”
Hee hee!
“Why would it be anguished?” Maggie asks. “I’m pretty happy when I come.”
“He’s masturbating.”
“Oh.”
Sultry Sunday #7 - The weekly "Pop Sensation" crossover
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Paperback 155: Phantom Books 509 (PBO, 1952)
Title: Naked Fury
Author: Day Keene
Cover artist: sadly, uncredited

Best things about this cover:
- Angry mob!
- "I'm gonna beat him with this coffee table leg!"
- "I'm gonna pull my pants up to my rib cage and burn the town down with a troupe of my pasty-faced brethren!"
- The title is pure pulp - fantastic!
- One of the greatest pieces of Girl Art I own - her face looks insane, but that dressing gown is gorgeous and the way she's captured in crazy panicked motion is very believable.
- She is giving us some kind of sign with her right hand: "C" ... Uh, Call the Cops? Crazy people are trying to kill me? C-cup!?
- I thought the big palooka with the awesome left Fist of Fury was wearing some kind of jacket and open-collared shirt ... but then I noticed the length of that jacket, which appears actually to be some kind of robe. At night, it seems, he likes to dress up like Joan Crawford. Is that why the mob is chasing him? Hate crime!
- "Revenge" is one of my very favorite words / topics.

Best things about this back cover:
- Too much Fury, not enough Naked, frankly
Page 123~
Malloy speaking:
"You're not tough. You only think you are. If you guys hadn't been chicken, you'd have let me have it out in Reardon's garage. But killing a two hundred pound man who's willing to fight for his life is a hell of a lot different than shooting a drunken cop from a fire escape or strangling a ten dollar tart."
Mmmm, ten dollar tart ...
~RP
10.24.2008
1st Rule of Phalluses
10.23.2008
Chapters 4 and 5
Chapter 4: In Which Our Hero Is a Dumbass
I lost count of the number of times these two had sex (not counting the once in Chapter 3) about five pages into the chapter...three? Four? No, on recounting, it’s only three. It seemed like more. This guy could put Peter North to shame.
Best/worst line: “And he drilled inside her slick heat, until his mind was black, until his eyes were blind, because his body needed this.”
Drill, baby, drill.
The chapter builds to an exciting climax (yeah, yeah) at the top of page 52 as Daniel prepares to return to the city:
A wedding ring.Having only reluctantly embarked on this sex-filled weekend away in the first place, Daniel decides to take the easy road back to widower’s celibacy and let Catherine assume he’s still hitched, thus ending any possibility that she’ll find him fuckable for the next hundred pages or so.
Okay, that explained it. Catherine ignored the shooting pains radiating up from her gut to somewhere near her heart.
Admittedly I can’t know what it’s like to lose my wife in the World Trade Center attacks, so I can’t really put myself in Daniel’s shoes. Nevertheless, I’ve always been the forthright type and can’t imagine not saying to the woman I’ve just had sex with four times, “you’re really sweet, and I had a lot of fun this weekend. I’d like to see you again, but I’m still not over my dead wife.”
Dumbass.
Chapter 5: The Plot Thickens...or At Least Plods on for Eleven Pages or So
Okay, what do we know about Daniel so far? He’s
a. an accountant,
b. cut,
c. handsome,
d. brooding,
e. mysterious, and
f. prone to waking up at all hours with raging hard-ons.
Let’s hear it for character development!
As this chapter opens we find Daniel hard at work doing accountant-type things, and, moreover, the sort of accountant-type things that got him hot: “Daniel was a partner now, but he didn’t like the management aspect of accounting. He had found his niche in the accounting world –audits—and that was where he stayed.” Indeed we learn in these pages that men do manly things like crunch numbers (“Daniel exhaled and turned back to the tidy world of accounting”) and tend bars and rebuild speakeasies, while women do womanly things like entertain art show-goers (“At the receptions she was supposed to be animated, lively”) and paint.
In order to satisfy the curiosity of the SBTB commenters who expressed some measure of interest, I should point out that at the top of page 60 we’re introduced to a character I might just find attractive: Catherine’s friend Brittany sounds like a bookish goth, “with black leggings, a black T-shirt, and black thick rimmed glasses.” Rrrrowr!
Last, but not least, we’re led on a tour of the cut-throat world of high-end auction houses as the Montefiores' firm goes head-to-head with Chadwick and Smithwick-Whyte. Says Catherine: “Commission structures are state secret, and too variable to be the same.” Wow. Tension mounts (but only for a half-page or so), and Brittany shows us the road Daniel will take back to Catherine’s heart and “opening”: “Tell him you’ll help, go over the books [hint hint audit hint] and show everybody what a crisis they’re making out of nothing. You’ll be the hero. Your grandfather would love it.”
Oh, and by the way, math is hard.
10.21.2008
Rising to the challenge, Part 1 of ???
After my widely-read and underinformed indictment of the quality of romance novels as a genre, I’ve been challenged by Sarah and her friends at Smart Bitches, Trashy Books to read Sex, Straight Up, a.k.a. Vol. 388 (April 2008) of Harlequin’s Blaze series, whose front cover appears thus:

As a courtesy to my challengers (and all of those who voted to make this particular selection my sentence), I’ve decided to write about each chapter as I make my way through the book and post my remarks here (and send them on to Sarah so that she can do with them whatever she’d like to).
I don’t intend that the sum of my remarks should make up anything at all like a review. Rather, I hope that my random observations might simply provide a rough impression of my view of the book as I proceed. I also hope that those reading these notes will keep in mind that you may likely be far more used to the conventions of the genre than am I and that I’ll as often as not mistake this particular book’s quirks and idiosyncrasies for standard Harlequin formulas, just as I’ll mistake stock formulas for singular idiosyncrasies. Mea culpa, in advance.
Enough yammering! On to the good stuff...
Chapter 1: Diving In
Okay, the story so far: Adonis-like accountant and reluctant widower (wife killed in 9/11) Daniel O’Sullivan, no doubt one of the “sexy O’Sullivans” advertised on the book’s cover, reluctantly removes his wedding ring before reluctantly trudging off to a weekend at a time share with his brother’s law partners. Mission: have fun (code for: get laid).
A few days pass in the space of a line, and hilariously well-educated but unselfconscious auction-house appraiser Catherine Montefiore (a Levantine Lorelei?) spies aforementioned Daniel (whom she compares to Odysseus) on the sand in front of her grandfather’s beach house and proceeds to sketch him stealthily while thinking illicit thoughts to herself, subjecting us to the book’s worst line yet: “There was art, and then there was man art.” (Close runner-up, a page an a half later: “Classical baroque art would have been altered forever if some Hamptons Hussy had turned Odysseus into Mr. Happy-Go-Lucky Melon-Grabber.”)
The conversational style of the prose makes this book refreshingly easy to read. Then again, you get an occasional shot of words no man would never utter: “One woman’s crap is another woman’s soul mate.”
So far I’m not really hooked. Sorry, y’all.
Chapter 2: Three Days Later
I’m back for the next round. It’s gotten better. The prose is a little less pretentious, the dialogue a little more natural. This second chapter actually reads kind of like the transcript of a slightly-awkward first date, and while it’s not particularly engaging it’s believable.
I was pleased by the author’s decision not to make of our heroine Catherine Montefiore a brilliant chef de cuisine in addition to a casually talented sketch artist and expert art appraiser (“all that, and she can cook, too!”) after flirting with that possibility on page 28.
By the way, I wonder if it’s normal that I should find lines like the following one pretty frickin’ hilarious?: “He could feel the heat under his collar, the slow pound of his blood and the push of his cock against what had been a loose pair of shorts until he had found himself fascinated by a set of wistful brown eyes.”
My question for regular readers of the Blaze series: just what is it that distinguishes Blaze books from those in Harlequin’s other lines? Are they particularly torrid?
On to the next chapter...
Chapter 3: Sex, Uninterrupted
Right away the second paragraph delivers a knee-slapper: “She’d been so caught up in the rare moment of being in the close proximity of such a man-man and now she’d blown it.”
What exactly is a “man-man”?
“Manly man?” Maggie asked.
“Nope, ‘man-man.’”
After this it’s a ten-page semi-literal description of a timorous sexual encounter. I was vainly hoping to take in a few laughable euphemisms for the genitalia of both sexes. “Purple-headed warrior” was one of Maggie’s favorites from her many years of reading historical romance. The closest this chapter came to that was “velvety hardness.” Catherine’s girl-part is most elliptically described as “her opening.”
I think that’ll do for tonight.
More to come, folks!
10.20.2008
Mammary Monday DVD
10.19.2008
Sultry Sunday #6 - The weekly "Pop Sensation" crossover
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Paperback 153: Dell 7733 (1st ptg, 1962)
Title: Seed of Doubt
Author: Day Keene
Cover artist: Clark Hulings

Best things about this cover:
- "Explosive," "Seed," and a variation of "semen" all on one cover!? That's ... ballsy. Also makes me a little queasy. Oh god, all this seed-talk is making even "Unexpurgated" look pornographic.
- "You expect that man to take care of that baby!?"
- "You expect us to believe that that man is responsible for that stain!?"
- The judge looks like he wants to say "Excuse me, sir, but the fencing class is down the hall."
- "The pattern of ANATOMY OF A MURDER" - HA ha. High praise. That's like saying "As many pages as THE GREAT GATSBY" or "Set in the same general region as GONE WITH THE WIND"

Best things about this back cover:
- Cast of characters! With quotes!?
- "I'd rather see her dead" - I hope he's not supposed to be sympathetic character. "No wife of mine..." - how many does he have?
- "I loved Eric so much ..." - of course. Women love men who would rather see them dead than see them bear the child of another man.
- "Who is to say that I was wrong ...?" - nice defense, Perry Mason. I believe This Court is to say, you jackass.
Page 123~
Jenny emerged from the restaurant wearing a tight black skirt and a green blouse under a thin white sweater that accentuated her heavy breasts. She pretended to be surprised to see him.
"You still here?"
Eric continued to pick his teeth. "It would seem. You live far?"
Eric is suave - he knows what all real men know: that there is no surer way to seduce a heavy-breasted lady than to pick your teeth.
~RP
10.18.2008
Vaginas have teeth, y'know
10.17.2008
Thanks the gods it's Phallic Phriday!

Guess even underwater they're "happy ta see ya"!
10.12.2008
Sultry Sunday #5 - the weekly "Pop Sensation" crossover
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Paperback 150: Popular Library 60-2299 (1st, 1961)
Title: The Dead Beat
Author: Robert Bloch
Cover artist: uncredited

Best things about this cover:
- Her face - everything about it screams horror hilarity
- She looks like she's about to snap her own neck
- That mouth is So Red that I can only imagine / hope / surmise that this novel involves her drinking blood
- "My hair! O, why did I ever swim in that stupid, over-chlorinated community pool!"
- "My robe! It appears to have fallen open to reveal my impossibly spherical boobs!"
- "My jaw! I can't shut it! How am I even forming this sentence!?"
- Honestly, I love the design on this cover. The jagged backgrounds, the sickly colors. All gold. I believe the word "shocker" is even being struck by something resembling lightning. Fabulous.

Best things about this back cover:
- "Did we mention that Robert Bloch wrote 'Psycho'? 'Cause he did. Write 'Psycho.' It's true. 'Psycho!'"
- "(Remember the author's Psycho)" - um, hey, reviewer from EQMM: the movie adaptation was an international sensation and made a generation of people think twice about getting in the shower. I'm pretty sure folks "remember."
- "Psycho!"
Then he walked in. Opportunity knocks, but Larry walked in. He knew where he was going.
Did I mention that Bloch is a pretty good writer?
~RP
10.05.2008
Sultry Sunday #4 - The weekly "Pop Sensation" crossover
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Paperback 147: Beacon Books 143 (PBO, 1957)
Title: Shock Treatment
Author: Wright Williams
Cover artist: Peeping Tom

Best things about this cover:
- I love how she looks - not terrified, but exasperated: "You again!?"
- Wait - I thought she was in her bathroom and the peeping tom was opening the window shade, but it seems just as likely she's in a hospital with mobile curtain dividers, in which case a. whose arm is that?, b. what's it yanking on?, and c. what is that red cloth? What am I looking at!?
- "AT LAST..." - HA ha. I was just asking myself, "Why is there no book that explores the borderland between love and perversity?" Now, at last, that void is filled.

Best things about this back cover:
- "Sure, big Eric was crazy. Crazy about women! And who can blame him? Am I right, guys!? Yeah, you know what I'm talking about ... [amused chuckles from drunk comedy club crowd] ... ah, chicks."
- Whimsical drawings of cruel medical experimentation. "It'll cure your pervertedness, but ... you're gonna experience some rubber-arm, I'm not gonna lie."
- Maybe those arms are supposed to represent the gyrations of patients at the "hospital dance" (!?)
- "Not since Snake Pit ..." - I can't stop laughing long enough to comment on that line
- "Frankly!"
- "Passion-wracked!"
Instead of thinking of Katrine as a lovely, attractive girl who had bravely come out of a harrowing experience, I was drawing mental pictures of her in bed with a man married to someone else. It was rotten of me, and I almost welcomed the self-loathing that I began to feel.
Well, we've all been there, right?
~RP
10.02.2008
Locusts! Frogs!


9.28.2008
Sultry Sunday #3 - The weekly "Pop Sensation" crossover
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Paperback 144: Ace Double F-111 (PBO / 1st ptg, 1961)
Title: The Girl from Las Vegas / To Have and To Kill
Author: J.M. Flynn / Robert Martin
Cover artist: uncredited / uncredited

Best things about this cover:
- Q: What's the one thing that could upstage a half-naked, armed redhead reclining on your hotel room bed?
- A: Those pants
- This cover makes me feel funny ... I like that she's, uh, packing heat, but does she have to hold it like that. It's making me worried/confused. I think she's ordering me to kneel, but ... I'm scared to ask why.
- It's like Ann-Margaret killed "I Dream of Jeannie," stole her hair, and then ran off to Las Vegas to, I don't know ... let's say, join Clown College.

Best things about this cover:
- "Aaargh, Krull angry. Who paint words on Krull's back? Krull make someone pay for cleaning bill..."
- "Abridged" - HA ha. "Long story short, he married her, killed her, and then carried her half-shod corpse over the threshold. Cue the music, fade to black, roll credits."
- I should be keeping track of all the low-rent outfits that provide blurbs for my books. The Charleston News & Courier!? When did anyone ever take reading advice from South Carolina? (No offense, guys ... Go Gamecocks!)
He had shaved and changed into a light blue short-sleeved shirt and gray cord slacks. His attire surprised me a little, perhaps because I had subconsciously expected him to wear a dark mourning suit and somber tie. He still looked tired; eyes sunken, dark half moons beneath them. I leaned back in the chair and said, "Hi."
-from To Have and To Kill
~RP
9.21.2008
Sultry Sunday #2 - The weekly "Pop Sensation" crossover
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Paperback 141: Berkley Books BG-149 (1st ptg, 1958)
Title: Ah King and other famous stories of love and hate in the tropics (!)
Author: W. Somerset Maugham
Cover artist: Robert Maguire

Best things about this cover:
- Sometimes, when I've been at the computer for too long, I sit like this. The topless native girls never seem to show up.
- Could this dude be more oafish? He's literally belly-scratching.
- I wish we had a better close-up on the women, as Bob Maguire does women, especially faces, better than anyone. The kneeling woman is especially sexy and not just because she's, you know, kneeling. God I wanna photoshop this guy out of the picture so bad.
- You'd never know from this cover that Maugham is one of the most popular and esteemed writers in British history.

Best things about this back cover:
- OK, for once, these blurbs all sound awesome. I may actually read stories from this book today. That's a first.
- Is it just me, or does the type-setting look ever-so-slightly off? Like the black and blue inks were set separately, and aren't quite square to one another. It's making me a bit queasy.
- If I read just one story in this collection, it will be "The Book-Bag"
Page 123~
"When you left them, after a couple of days at the bungalow, you felt that you'd absorbed some of their peace and their sober gaiety. It was as though your soul had been sluiced with cool clear water. You felt strangely purified."
-from, that's right, you guessed it, "The Book-Bag"; I'm dying to see how a book-bag figures into a story about incest on a rubber plantation. I'll let you know.
~RP
9.17.2008
Virile Horses and Luscious Man Boobies
Also appearing in my inbox these days are the following gems from the Ludovician (I wonder if they have lotteries in Ludovicia?).
When I was a little maughta my best friend and I used to spend hours drawing horses. Yes, like other little girls we were obsessed with cloven-hooved hunks of horseflesh. We also drew fashion models and our own fashions (this was the '80s, keep in mind, so big shoulder pads and pastel makeup was all the rage). I think our pictures looked a lot like this:
Someone is a little too used to drawing giant pecs on romance heroes and got a little carried away on Sir Neigh, here. Is that a six pack?!?
So, what happens when you combine Mucha paintings with digital clocks? No, not steampunk. Rather, what we have here. At least the horse parts look a little more logical than the previous cover!
I'm not sure the following cover could be in any way improved, although it might help if it had a horse on it. Or, y'know, didn't look like it was drawn by a methed-out skaterpunk in the eighth grade on his math homework.
And finally, this lovely find from one of my favorite blogs, Cake Wrecks, sent in by Edmund S. The sad part is I would have loved this cake when I was 14! Heck, my birthday is coming up soon (soon being a relative term and meaning <6>
Save me the pecs, Tracy!!
UPDATE: Horses don't have cloven hooves. I'm confusing them with satyrs. It's a natural mistake!
9.14.2008
Crossover! or, Maughta finds a way to cover for her blogging inactivity...
Maughta has asked me to do some crossover publishing on her blog, since we have overlapping interests. So from now until whenever it stops, I'll be posting my Sunday write-ups from "Pop Sensation" here for your readerly pleasure / scorn. I own 2000+ vintage paperbacks, and one day I just started pulling them off the shelf, scanning them, and commenting on their fabulous / horrible / fabulously horrible covers (the covers being the main reason I started collecting them - I haven't read 99% of my collection, truth be told). All my books are for sale, by the way, though selling them is not the reason I have the blog. I just want to spread love for the bad and the good of paperback cover art, circa 1940-1970.
My format is straightforward and self-explanatory. The feature at the end, "Page 123," is just an arbitrary way for me to be able to give readers a taste of the kind of writing these books have to offer. My little nod to the importance of what's between the covers.
Enjoy - Rex Parker
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Paperback 138: Perma Book M-3100 (1st ptg, 1957)
Title: One-Way Ticket
Author: Bert and Dolores Hitchens
Cover artist: James Meese

Best things about this cover:
- "Railroad detective" - my favorite kind!
- The swirling green vortex of nausea and despair
- The distractingly child-like drawing of the upper half of a candle
- Cool stenciled font on the title
- That furniture - the proportions seem off and there are legs that appear to come from / go to nowhere, but in general, it's cool; spare, stark, mid-century modern in the very best way
- If only she hadn't cut her hair by herself in the dark with a bread knife, she would easily be one of the hottest women in my collection - understated yet stunning black dress (that's a dress, right, not a negligee?), fierce black shoes,* and a perversely casual way with money. What's not to love?

Best things about this back cover:
- I love when back covers function like movie teasers: " ... MURDER! Featuring ... Boots! David Bryant! Some other B movie character actors whose names you don't know. And starring Jerry Mathers, as The Beav"
- Which of these names doesn't belong? A: "David Bryant" - what a dud. That last name really ruins the whole vibe of the back cover. Everyone else gets one colorful name, and he gets the full name of some guy from middle management.
- Wait, Rock dies? Uh, SPOILER ALERT!
- This all makes sense except for Boots. I mean, I could write the plot of this book, but I would have no idea what to do with Boots. David Bryant already has two women. Is Boots a cat?
Page 123~
This was a joke on Boots by Boots. They were all expected to enjoy it. They chuckled in chorus and Vic felt a fool.
I'm guessing it was a familiar feeling.
~RP
*I had written "fierce black pumps," but apparently those are "mules," and I can't call such great shoes something as ugly-sounding as "mules," so now it's generic "shoes."
8.27.2008
I accept!
As Maughta indicated in a comment on your begauntleted blog post, she once had me read one of Betina Krahn's Victorian affairs, "The Last Bachelor." The heroine was a wealthy widow who took in destitute young women and married them off to unsuspecting bachelors, little knowing that her own turn was soon to come.
I recall that though the book was well-written, it simply wasn't my cup of tea. It didn't hold my interest. My feeling is much like my take on Mozart and B.B. King: though I've never much cared for either of them, I certainly appreciate their extraordinary talents.
In any case, never one to shrink from a challenge, I accept and await the title you select. Will you draw from the Blaze basket? The Presents pile? Or, quel horreur!, the NASCAR nook? Please be gentle.
Please send us your chosen title forthwith, we're on tenterhooks.
Best,
DocTurtle
P.S. -- Incidentally, in the interest of historical accuracy, I would like humbly to admit that the Random Mammal Generator (as funny as I find it) is the brainchild and Meisterwerk of my friend Eric Schneider. The Random Romance Novel Title Generator is all my own, however. Mea culpa.
8.25.2008
Sun, Sand, Circle Jerks?

Now we all know I have the brain of a 15 year-old boy so guess where mine went. Yup. Daisy chain. Everyone looks so HAPPY! I especially appreciate the little drop of sweat on the pig's brow. One Two Three Pull is what she said!
On a side note, DocTurtle has been challenged! Will he accept it? Only time will tell...
8.14.2008
Hot Links
Pistil Books' Museum of Weird Books
Rex Parker's Pop Sensation
Punk Rock Penguin's Bad Book Covers
FlapArt (for reading romance novels in public)
Reusable Cover Art in Historical Novels
Spooky Moon's Cover of the Week
Suburban Beatnik's Toga Porn
and finally A Guide to Writing your own Michael Crichton Book (and a book using the formula)