Maughta's taking a few hours tonight to make some stock for her nascent Etsy store, so I thought I'd give her a break and throw out a couple of beauties.
Let's start with this one, submitted by faithful reader Marla (who notes, "check out the size of his pinecones!"):
Nope, nothing says "creative cover design" like a stock photo of a couple of regency reenactors listlessly hanging out on the back stoop like they're on coffee break. The photo could almost be a still out one of the most disappointing movies Maughta and I ever watched, a 1982 BBC mini-series adaptation of Anthony Trollope's wonderful The Warden and Barchester Towers. How could one go wrong, you might ask, when you start with such a subtle and sophisticated base text and make the positively brilliant move of casting Alan Rickman as Obadiah Slope?
Oh, I'll tell you. The adaptation is weak, the acting is flat, the directing is non-existent...and the damned thing is done on video. Video! Because by 1982 film was just passé. Just because the medium is new and exciting, folks, doesn't mean you gotta use it.
Let's cleanse our palates with this gem from faithful reader Lindz, Jilly Cooper's "classic bestseller," Riders:
As Maughta said to me moments ago, "it's Tushy Tuesday!" I prefer "Tuesday is for Tuckuses," myself.
Riders is the first (and, according to Fantastic Fiction, the "steamiest") of the Rutshire Chronicles. Not a fan of subtlety, our Ms. Cooper. A quick search of her other works reveals a passel of non-fiction titles on romance, love, and seduction, such as Jolly Marsupial: Down Under and Other Scenes:
This is the book that spawned the most popular buddy cop show in Australian television history.
Then there's Jolly Super:
Sorry for the tiny image, it was the best I could find (does anyone out there have a better one they could upload?). Nevertheless, the resolution's good enough for us to know this'd make a great addition to Phallic Phriday.
That's all for now, but we hope you'll leave us a snarky note or two in the comments section, and keep your hands where we can see 'em.